Behringer Ultra-dyne Pro DSP9024 Bedienungsanleitung PDF herunterladen (Seite 5)

ULTRA-DYNE PRO DSP9024

TABLE OF CONTENTS

1. INTRODUCTION.....................................................................................................................7

1.1 The concept .................................................................................................................................... 7

1.2 Before you begin ............................................................................................................................. 7

1.3 Control elements ............................................................................................................................. 8

2. OPERATION ..........................................................................................................................10

2.1 The ULTRA-DYNE PRO operating concept.................................................................................... 10

2.1.1 The program level ................................................................................................................ 10

2.1.2 The editing level .................................................................................................................. 10

2.1.3 The meter level.................................................................................................................... 10

2.1.4 The setup level ..................................................................................................................... 11

2.2 PROCESS mode ...........................................................................................................................11

2.2.1 Editing parameters ............................................................................................................... 11

2.2.2 Program administration ........................................................................................................ 11

2.2.3 Loading a program .............................................................................................................. 12

2.2.4 Saving programs ................................................................................................................. 12

2.2.5 Activating VIRTUOSO ......................................................................................................... 13

2.2.6 Band-specific editing ........................................................................................................... 13

2.2.7 Tube Simulation .................................................................................................................. 14

2.3 METER mode ............................................................................................................................... 14

2.3.1 Advanced level meter .......................................................................................................... 15

2.3.2 Editing in METER mode...................................................................................................... 16

2.4 Setup level 1 ................................................................................................................................. 16

2.4.1 Input/output menu ............................................................................................................... 16

2.4.2 Band menu ......................................................................................................................... 17

2.5 Setup level 2 ................................................................................................................................. 18

2.5.1 Global setup ....................................................................................................................... 18

2.5.2 MIDI setup .......................................................................................................................... 20

3. APPLICATIONS .....................................................................................................................20

3.1 Compression/Leveling/Limiting/Clipping ......................................................................................... 21

3.2 The Gate section .......................................................................................................................... 21

3.2.1 Suppression of crosstalk in multi-channel operation ............................................................ 22

3.2.2 Basic settings of the Gate section ...................................................................................... 22

3.2.3 Reduction of crosstalk from stage microphones .................................................................. 23

3.2.4 Reduction of feedback from stage microphones .................................................................. 23

3.2.5 Noise reduction in effects chains......................................................................................... 23

3.2.6 Creative application of the Gate section .............................................................................. 23

3.3 The Compressor section ............................................................................................................... 23

3.3.1 Basic settings of the Compressor section ........................................................................... 25

3.3.2 The ULTRA-DYNE PRO as an effect device ........................................................................ 25

3.3.3 The "dull" sound of compressors ......................................................................................... 25

3.4 The VIRTUOSO function ............................................................................................................... 26

3.5 The ULTRAMIZER function ............................................................................................................ 26

3.6 Peak Limiter section ..................................................................................................................... 27

3.6.1 Basic settings of the Peak Limiter section .......................................................................... 27

3.7 Tube simulation............................................................................................................................. 28

3.7.1 Application .......................................................................................................................... 28

3.8 The Exciter function ...................................................................................................................... 28

3.8.1 Audio enhancement during the copying process ................................................................. 28

3.8.2 Audio enhancement of instruments ..................................................................................... 28

3.8.3 Audio enhancement of PA systems .................................................................................... 29

3.9 The ULTRA-DYNE PRO in the recording and copying fields .......................................................... 29

3.9.1 The ULTRA-DYNE PRO for digital recording and sampling .................................................. 29

3.9.2 Mastering with the ULTRA-DYNE PRO ............................................................................... 29

1 2 3 4 5 6 7 8 9 10 ... 45 46

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