Behringer SRC2000 Bedienungsanleitung PDF herunterladen (Seite 17)

EURORACK MX1804X

4. APPLICATIONS

4.1 Live gig with simultaneous 2-track recording

Here some or all mono channels are likely to be tied up with stage mics. Carefully position these so as to

minimize feedback. Try to keep the stage volume as low as possible, as stage sound can interfere with and

muddy FOH sound, as well as causing a reduction in feedback thresholds. Don’t forget to notch out troublesome

frequencies using a graphic (e.g. our ULTRA-GRAPH PRO GEQ3102) or parametric equalizer (e.g. our

ULTRA-Q PRO PEQ2200), or our FEEDBACK DESTROYER DSP1124P.

Use the low-cut filters to eliminate floor rumble, mics popping etc.

Try using a compressor and noise gate on vocals, bass, guitar and even drums via channel insert.

Input Source Routing Mic/Line Mono/Stereo

1 Vocals Main Mix Mic Mono

2 Bass Drum Alt 3-4 Mic Mono

3 Snare Drum Alt 3-4 Mic Mono

4 Overhead L Alt 3-4 Mic Mono

5 Overhead R Alt 3-4 Mic Mono

6 Bass Main Mix Mic Mono

7/8 Keyboard 1 Main Mix Line Stereo

9/10 Keyboard 2 Main Mix Line Stereo

11/12 Keyboard 3 Main Mix Line Stereo

13/14 Keyboard 4 Main Mix Line Stereo

Aux Return 1 Playback from MTR Stereo

FX Return Effects Return Stereo

Tab. 4.1: Use of the inputs of your MX1804X

Output Application

Alt 3-4 Drum Submix

Aux Send 1 Headphones (pre-fader)

FX Send int. Effect (post-fader)

Main Mix Recording DAT

Control Room out Poweramp. (FOH mix)

Tab. 4.2: Use of the outputs of your MX1804X

4.2 MIDI project studio

8-track MIDI project studio with sampler, 8-track recording system, one vocal mic and two effects units:

With largely computer-generated music you will want to have plenty of Line inputs, and an ability to take vocals

quickly, efficiently, and with minimal desk disturbance. Often a vocal line is added after the music is almost

complete. For this we try not to use a valuable aux send as a cue feed. In general, the mix in the artist’s

headphones can be the same as that going into the control room monitors: basically a stereo mix with 1) the

vocal channel raised above the “mix” level in volume and 2) any off-putting channels muted.

If you intend to take several tracks in quick succession, you can route the channel via the Alt 3-4 bus

simultaneously into all tape tracks via a simple junction box, splitter lead, line mixer like our

ULTRALINK PRO MX882, or patchbay, like our ULTRAPATCH PRO PX2000.

Note: When using Alt 3-4 to send to tape, you can either audition the signal via the tape recorder track, or by

assigning Alt 3-4 to the control room monitors, or both. If you are auditioning the vocalist via both routes, the

voice should appear louder to you (and the singer) during a take, but be set properly in the mix during playback.

4. APPLICATIONS

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